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<title><![CDATA[Catalogue Netherlands Media Art Institute]]></title>
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<description><![CDATA[This is the online catalogue of video materials held in the collections of the Netherlands Media Art Institute. This catalogue gives access to video art, installations, performances, events and projects in the area of media art from the 1970s till present. ]]></description>
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<pubDate>Thu, 17 May 2012 04:41:56 +0200</pubDate>
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<title><![CDATA[Ernst Mitzka: Installatie (1988)]]></title>
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<pubDate>Thu, 17 May 2012 02:19:16 +0200</pubDate>
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<author><![CDATA[Ernst Mitzka]]></author>
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<title><![CDATA[Display Systems: Display Systems (1984)]]></title>
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<pubDate>Thu, 17 May 2012 02:19:15 +0200</pubDate>
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<title><![CDATA[Dick Raaijmakers: Extase (1984)]]></title>
<link>http://catalogue.nimk.nl/site/art.php?id=8076</link>
<pubDate>Thu, 17 May 2012 02:19:13 +0200</pubDate>
<description><![CDATA[On a stage, a person on a bike is moving only ten meters in 30 minutes. In slow motion, like in a film, the biker takes a slow somersault and lands on his head. The fall takes so long that time and space seem to lead a life of their own.
It is a re-enact...]]></description>
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<author><![CDATA[Dick Raaijmakers]]></author>
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<title><![CDATA[Contemporary Art Foundation: Herenleed de Moeder]]></title>
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<pubDate>Thu, 17 May 2012 02:19:11 +0200</pubDate>
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<author><![CDATA[Contemporary Art Foundation]]></author>
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<title><![CDATA[Christophu Rutimann: Furkart (1989)]]></title>
<link>http://catalogue.nimk.nl/site/art.php?id=8063</link>
<pubDate>Thu, 17 May 2012 02:19:09 +0200</pubDate>
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<author><![CDATA[Christophu Rutimann]]></author>
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<title><![CDATA[Christophu Rutimann: 5 Raume (1984 - 1985)]]></title>
<link>http://catalogue.nimk.nl/site/art.php?id=8062</link>
<pubDate>Thu, 17 May 2012 02:19:07 +0200</pubDate>
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<title><![CDATA[Abramovic / Ulay: Talking about Similarity (compilation version, 1976)]]></title>
<link>http://catalogue.nimk.nl/site/art.php?id=8041</link>
<pubDate>Thu, 17 May 2012 02:19:05 +0200</pubDate>
<description><![CDATA['Talking about Similarity' took place in Amsterdam, on November 30th, 1976. The performance, which lasted ca. 45 minutes, comtains two parts that are very different in form, but content-wise form a whole. Ulay begins, Abramovic takes over. This makes 'Tal...]]></description>
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<author><![CDATA[Abramovic / Ulay]]></author>
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<title><![CDATA[Abramovic / Ulay: Relation in Time (1977)]]></title>
<link>http://catalogue.nimk.nl/site/art.php?id=8039</link>
<pubDate>Thu, 17 May 2012 02:19:03 +0200</pubDate>
<description><![CDATA[The performance 'Relation in Time' (October 1977) took place at Studio G7 in Bologna, Italy. Sitting quietly for seventeen hours, Abramovic and Ulay were connected to each other by means of their hair. They spent the first sixteen hours doing this alone, ...]]></description>
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<title><![CDATA[Abramovic / Ulay: Positive Zero (compilation version, 1983)]]></title>
<link>http://catalogue.nimk.nl/site/art.php?id=8038</link>
<pubDate>Thu, 17 May 2012 02:19:01 +0200</pubDate>
<description><![CDATA['Positive Zero' (90 minutes) was performed three times during the Holland Festival in June 1983: at Theater Carré in Amsterdam, Muziekcentrum Vredenburg in Utrecht and De Doelen in Rotterdam. It is not, in fact, a performance, but rather a theatrical work...]]></description>
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<title><![CDATA[Abramovic / Ulay: Nightsea Crossing: The Observer (with Rémy Zaugg, 1983)]]></title>
<link>http://catalogue.nimk.nl/site/art.php?id=8037</link>
<pubDate>Thu, 17 May 2012 02:18:59 +0200</pubDate>
<description><![CDATA[Although in most of the performances from the 'Nightsea Crossing' series (1981-1987), Ulay and Abramovic are performing alone, there are some exceptions to this rule. In 'Nightsea Crossing: The Observer' (October 1984, Middelburg, the Netherlands),  the a...]]></description>
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<author><![CDATA[Abramovic / Ulay]]></author>
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