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<title type="html" ><![CDATA[Catalogue Netherlands Media Art Institute]]></title>
<link href="http://catalogue.nimk.nl/site" ></link>
<id>urn:uuid:d2a9d71a-1366-fcff-fd4c-dea74da0aa3b</id>
<updated>2012-02-23T05:09:52+01:00</updated>
<entry>
<title type="html" ><![CDATA[Field Notes From A Mine]]></title>
<link href="http://catalogue.nimk.nl/site/art.php?id=18149" ></link>
<id>urn:uuid:0c5f442b-3077-c8fb-d445-0db80b90eb8e</id>
<updated>2012-02-22T14:42:05+01:00</updated>
<summary type="html" ><![CDATA[<p>Field Notes From a Mine' shows a journey through the African continent based on a map of traditional pilgrimage routes. This route follows geographical data, which are used as a score to generate image and sound compositions. From a walker's perspective t...</p><p>Play: <a href='http://www.fieldnotesfromamine.org'>http://www.fieldnotesfromamine.org</a></p>]]></summary>
</entry>
<entry>
<title type="html" ><![CDATA[Tom Tlalim]]></title>
<link href="http://catalogue.nimk.nl/site/artist.php?id=16331" ></link>
<id>urn:uuid:985144c5-ff70-1d65-1e14-4ca5d77793a1</id>
<updated>2012-02-22T09:51:15+01:00</updated>
<summary type="html" ><![CDATA[<p>Tom Tlalim’s interdisciplinary work includes sound art, performances, installations, text and music. His language, often abstract, is informed by a central interest in concrete data patterns, particularly those of spontaneous social behaviour within ratio...</p>]]></summary>
</entry>
<entry>
<title type="html" ><![CDATA[Het Grote Geheugen]]></title>
<link href="http://catalogue.nimk.nl/site/art.php?id=9750" ></link>
<id>urn:uuid:4694c8a7-7d70-1400-308f-95702976cfc2</id>
<updated>2012-02-20T18:06:11+01:00</updated>
<summary type="html" ><![CDATA[<a href='http://catalogue.nimk.nl/site/art_play.php?id=9750'><img src='http://media.nimk.nl/view/35766.jpg' title='Het Grote Geheugen' alt='Het Grote Geheugen'  style="float: left; margin-right: 10px; margin-bottom: 10px;"></a><p>'Journey through the spaces in the head of a man.'

Robbie Cornelissen usually makes pencil drawings of huge imaginary buildings. People almost never put in an appearance. Thoughts and reflections have solidified and taken on a physical form. The worlds...</p><p>Play: <a href='http://catalogue.nimk.nl/site/art_play.php?id=9750'>http://catalogue.nimk.nl/site/art_play.php?id=9750</a></p>]]></summary>
</entry>
<entry>
<title type="html" ><![CDATA[Sensitive to Pleasure (registratie)]]></title>
<link href="http://catalogue.nimk.nl/site/art.php?doc_id=16311" ></link>
<id>urn:uuid:05d4ee67-a625-5f80-9868-762dbf078305</id>
<updated>2012-02-20T17:46:13+01:00</updated>
<summary type="html" ><![CDATA[<a href='http://catalogue.nimk.nl/site/art_play.php?doc_id=16311'><img src='http://media.nimk.nl/view/35771.jpg' title='Sensitive to Pleasure (registratie)' alt='Sensitive to Pleasure (registratie)'  style="float: left; margin-right: 10px; margin-bottom: 10px;"></a><p>In her work, media artist and architect Sonia Cillari poses fundamental questions about the artist's and the public's interaction and personal engagement with art. Interactive art has already transformed the viewer into a participant, but in most cases th...</p><p>Play: <a href='http://catalogue.nimk.nl/site/art_play.php?doc_id=16311'>http://catalogue.nimk.nl/site/art_play.php?doc_id=16311</a></p>]]></summary>
</entry>
<entry>
<title type="html" ><![CDATA[Mill X Molen (registratie Installations 1975-2006)]]></title>
<link href="http://catalogue.nimk.nl/site/art.php?doc_id=13103" ></link>
<id>urn:uuid:f1bee517-6567-80ef-e838-e75e11beedd4</id>
<updated>2012-02-20T17:46:04+01:00</updated>
<summary type="html" ><![CDATA[<a href='http://catalogue.nimk.nl/site/art_play.php?doc_id=13103'><img src='http://media.nimk.nl/view/35770.jpg' title='Mill X Molen (registratie Installations 1975-2006)' alt='Mill X Molen (registratie Installations 1975-2006)'  style="float: left; margin-right: 10px; margin-bottom: 10px;"></a><p>Twelve large monitors are mounted in the form of the four sails of a windmill at rest (three monitors per sail). The images on all twelve monitors are of windmill sails constantly turning round and round. Every screen shows a one third section of a windmi...</p><p>Play: <a href='http://catalogue.nimk.nl/site/art_play.php?doc_id=13103'>http://catalogue.nimk.nl/site/art_play.php?doc_id=13103</a></p>]]></summary>
</entry>
<entry>
<title type="html" ><![CDATA[Disco for N/one (registratie Installations 1975-2006)]]></title>
<link href="http://catalogue.nimk.nl/site/art.php?doc_id=12927" ></link>
<id>urn:uuid:b6201fb8-6dc3-4a5c-c324-61799c34b544</id>
<updated>2012-02-20T17:45:56+01:00</updated>
<summary type="html" ><![CDATA[<a href='http://catalogue.nimk.nl/site/art_play.php?doc_id=12927'><img src='http://media.nimk.nl/view/35769.jpg' title='Disco for N/one (registratie Installations 1975-2006)' alt='Disco for N/one (registratie Installations 1975-2006)'  style="float: left; margin-right: 10px; margin-bottom: 10px;"></a><p>Someone once suggested that the ultimate nightclub would contain a progression of rooms that would increasingly determine who the most 'very important people' were. This succession of VIP lounges would gradually get more selective. At each threshold a dec...</p><p>Play: <a href='http://catalogue.nimk.nl/site/art_play.php?doc_id=12927'>http://catalogue.nimk.nl/site/art_play.php?doc_id=12927</a></p>]]></summary>
</entry>
<entry>
<title type="html" ><![CDATA[Re-Animations (registratie)]]></title>
<link href="http://catalogue.nimk.nl/site/art.php?doc_id=6552" ></link>
<id>urn:uuid:ec8aaa24-386c-b426-be91-6e40ed8994e6</id>
<updated>2012-02-20T17:45:48+01:00</updated>
<summary type="html" ><![CDATA[<a href='http://catalogue.nimk.nl/site/art_play.php?doc_id=6552'><img src='http://media.nimk.nl/view/35768.jpg' title='Re-Animations (registratie)' alt='Re-Animations (registratie)'  style="float: left; margin-right: 10px; margin-bottom: 10px;"></a><p>This interactive installation, a collection of organic-robotic creatures, reveals how the  technology we take for granted every day can manipulate and control us as well. An assortment of beasts, consisting of robotic and animal parts, reacts to each othe...</p><p>Play: <a href='http://catalogue.nimk.nl/site/art_play.php?doc_id=6552'>http://catalogue.nimk.nl/site/art_play.php?doc_id=6552</a></p>]]></summary>
</entry>
<entry>
<title type="html" ><![CDATA[I/Eye (registratie Galerie René Coelho 1994)]]></title>
<link href="http://catalogue.nimk.nl/site/art.php?doc_id=2834" ></link>
<id>urn:uuid:80bb2070-0d0f-89aa-d569-7bc2759f3897</id>
<updated>2012-02-20T17:45:41+01:00</updated>
<summary type="html" ><![CDATA[<a href='http://catalogue.nimk.nl/site/art_play.php?doc_id=2834'><img src='http://media.nimk.nl/view/35767.jpg' title='I/Eye (registratie Galerie René Coelho 1994)' alt='I/Eye (registratie Galerie René Coelho 1994)'  style="float: left; margin-right: 10px; margin-bottom: 10px;"></a><p>Although we are generally unaware of it, our daily comings and goings are constantly being monitored by cameras and other surveillance-equipment: whether we're in a bank, at an airport, in a museum or a supermarket, our presence is being registered and ch...</p><p>Play: <a href='http://catalogue.nimk.nl/site/art_play.php?doc_id=2834'>http://catalogue.nimk.nl/site/art_play.php?doc_id=2834</a></p>]]></summary>
</entry>
<entry>
<title type="html" ><![CDATA[Are You Afraid of Video? (registratie Installations 1975-2006)]]></title>
<link href="http://catalogue.nimk.nl/site/art.php?doc_id=12954" ></link>
<id>urn:uuid:3ddc64d7-7a29-6051-cb3e-cd3c675f62be</id>
<updated>2012-02-20T17:45:19+01:00</updated>
<summary type="html" ><![CDATA[<a href='http://catalogue.nimk.nl/site/art_play.php?doc_id=12954'><img src='http://media.nimk.nl/view/35765.jpg' title='Are You Afraid of Video? (registratie Installations 1975-2006)' alt='Are You Afraid of Video? (registratie Installations 1975-2006)'  style="float: left; margin-right: 10px; margin-bottom: 10px;"></a><p>While approaching the room that contents SERVAAS' artwork 'Are you afraid of video?', a strange slapping sound, mixed with the sound of TV shows, reaches the visitors ears. Those who fearlessly enter the room, have to step back immediately, while tey are ...</p><p>Play: <a href='http://catalogue.nimk.nl/site/art_play.php?doc_id=12954'>http://catalogue.nimk.nl/site/art_play.php?doc_id=12954</a></p>]]></summary>
</entry>
<entry>
<title type="html" ><![CDATA[The Legible City (Amsterdam) (registratie Installations 1975-2006)]]></title>
<link href="http://catalogue.nimk.nl/site/art.php?doc_id=11960" ></link>
<id>urn:uuid:ab4be51a-7756-5e60-2058-0257538bc3c3</id>
<updated>2012-02-20T17:44:52+01:00</updated>
<summary type="html" ><![CDATA[<a href='http://catalogue.nimk.nl/site/art_play.php?doc_id=11960'><img src='http://media.nimk.nl/view/35764.jpg' title='The Legible City (Amsterdam) (registratie Installations 1975-2006)' alt='The Legible City (Amsterdam) (registratie Installations 1975-2006)'  style="float: left; margin-right: 10px; margin-bottom: 10px;"></a><p>In the interactive installation ‘The Legible City’ , Jeffrey Shaw stimulates the visitor’s imagination and entirely renews one’s perception towards a familiar city, Amsterdam, by intricately transforming it to be “legible” with three-dimensional computer-...</p><p>Play: <a href='http://catalogue.nimk.nl/site/art_play.php?doc_id=11960'>http://catalogue.nimk.nl/site/art_play.php?doc_id=11960</a></p>]]></summary>
</entry>
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